Rurik Ivnev - Russian Prose, poet and translator, whose work causes a modern reader audience.

Kovalev Mikhail Alexandrovich (real name of the writer) was born 1891 in the noble family living in Tiflis. Father - the captain of the Russian army, worked in the military-district court by the assistant prosecutor. Mom is a rare beauty and solid woman, engaged in the upbringing of Mikhail and the eldest son Nicholas. In 1894, after the death of her husband, with the aim of finding a stable earnings, with two boys in his hands was forced to move to the city of Kars, where she got a boss in the women's gymnasium.

Rurik Ivnev: Biography

Sons at the request of the mother, as well as in order to continue the family tradition, entered the Cadet Corps of Tiflis, where Mikhail was held for 8 years. During the student, which became an important stage in the spiritual development of the future writer, the young man met the work of Lermontov, Pushkin, A. K. Tolstoy. From him were close to Balmont, Bryusov and a block. It was at that time that Mikhail tries himself in writing poetic lines and first poems reading friends in a circle.

At the end educational institutionBeing influenced by the revolutionary accomplishments of 1905, he decided to leave the military career and moved to Petersburg, where he entered the Faculty of Faculty of the Imperial University. Education completed in the capital, after which in 1915-1917. settled in the Office of State Control.

On a creative path

Mikhail's first publication is the poem "Our Days", printed in 1909 in the "Student Collection". Three years later, two more poems were presented to the reader's court, but in the newspaper the Bolsheviks "Star". In 1913, the first poetic collection "Self-burning (revelation)" was released, and went, went ... The works of the young author, including prose, began to actively publish various publications.

The young author who took the pseudonym Rurik Ivnev, began to act a lot on him easily opened the doors of literary salons and living rooms, there were meetings with famous poets and writers, among whom was S. Yesenin and A. Block. Ivnev Rurik and Yesenin, who became real sincere friends, were largely combined with love for the poetic syllable and literary creativity generally.

Characteristic of early creativity

In his early work, Mikhail can be characterized as a sort of sad and helpless St. Petersburg boy, female unhappy, with a deep sense of guilt, which is in desperate search for exit. The style of writing this period was characterized by passionate self-escaping, nervous fatigue, reaching a manner hysteria, a feeling of an unbearable zhiguchi shame, reaching its extreme limit and the nature of the scientific, cliking.

Political activity Ivnev

Poet Rurik Ivnev, whose biography causes genuine interest among the modern reader, enthusiastically met the February and October revolutions, the events of which captured in the poems "People" (1918), Petrograd (1918). A huge influence on the further worldview of the poet was made by a meeting with A. V. Lunacharsky - the Russian revolutionary, a writer and a publicist who took an active part in the revolution 1905-1907. Under the impression of his brilliant speeches, the delightful and agitated Rurik Ivnev became a voluntary assistant Anatoly Vasilyevich, and then the official secretary. From that time, a young writer with his head plunged into political activitiesBy sending it to strengthen the positions of Soviet power.

In 1918, Rurik Ivnev moved to the capital, began to work in the newspaper Izvestia VTCIK correspondent, in 1919, as part of the Agitpo, traveled around the country and agitated the people for Soviet power.

In the ranks of the immudy

In 1919, Rurik Ivnev joined the imaginers who claimed that the purpose of creativity is to create an image, and the main expressive tool For its transfer is a metaphor. After a short time, publicly, via the newspaper Izvestia announced his exit from the ranks of the organization due to complete disagreement with its actions. Then again changed the point of view, posing in the collection "IMAZHINISTS" (1921) an open letter to Mariengofu and Yesenin about joining them. The new collection of the "Sun in the Coffin" poems, which was Sergey Yesenin, was published in the publishing house of the IMAZHINIST orders in 1921. In 1925, Rurik Ivnev, whose biography is quite difficult and instructive, visited Germany, worked at the publishing house "Book business" in Vladivostok, after 2 years he visited Japan.

last years of life

A large amount of attention of Rurik Ivnev, whose biography is a vivid example of human purposefulness, paid to the translation, worked on memoirs and autobiographical novels "At the foot of Mtazminda" and "Bohemia", which managed to complete before their care to the world of others.

After the end of the bloody war, he continued to write poems and turned to the historical past of his country in the works of Sergey Yesenin, "Tragedy of Tsar Boris", "Emelyan Pugachev". All this time traveled a lot in the country. The gained impressions found a response in the poetic works of "Baku Morning", "Dagestan", "Farewell to Kamchatka". Especially warm the writer belonged to Georgia, where he lived since 1936. On this earth rests the ashes of his mother.

The work of Rüric Ivnev 40-70s is characterized by transparency and clarity of verse traditional for the 19th century close to the origins of poetry. The author feels deep relatives with nature, which is devoted to many works.

Since 1950, Rurik Ivnev lived in Moscow. Last poem It was written for them a few hours before care. Not famous February 19, 1981.

The name of Rüric Ivnev is known to lovers of poetry for many decades. Over seventy years dedicated to him literary work, having gained wide fame before October revolution. Behind his shoulders big and interesting lifewho was reflected in the work. Three days did not survive the poet to his ninety humanity, but until the very moment he worked tirelessly over new verses, prose, memories.

Literary heritage Rüric Ivnev extensively. It has been written ten novels, many stories, Novel, Plays, historical and dramatic chronicles and articles on literature issues, poems cycles, on the right of Russian poetry in the Golden Fund. Acquaintance with many writers, poets, figures of literature and art, numerous memories of them are the most valuable contribution of Rüric Ivnev to memoir literature and contain interesting, sometimes unique information of the historical and biographical and literary criticism. And although Rurik Ivnev's fame acquired his verses, his prosaic works only confirm the latitude and power of the talent of this undisclosed and a little studied writer.

Mikhail Alexandrovich Kovalev (his real name) was born on February 11 (Art. Art.) 1891 in Tiflis in a revolutionary nobility family. The ancestors of the poet, the people from Holland settled in Russia during the time of Peter the Great and eND XIX. century completely bliss. His father, A. S. Kovaleva, who served as a military lawyer, Rurik Ivnev did not remember: he died when the boy was three years old. Mother Anna Petrovna, woman, on the stories of the son, large mind, extraordinary beauty and nobility that caused the admiration and respect of contemporaries, was the director of the gymnasium in Karsa, where the Kovalev family lived.

From 1900 to 1908, Mikhail Kovalev studied at the Tiflis Cadet Corps. Here he meets with the future hero civil War Pavlom Andreevich Pavlov, who later became one of the first Soviet military leaders. This acquaintance, which passed soon in big friendship, provided a huge impact on an impressionable young man.

In these years, the novice writer meets the work of A. S. Pushkin, L. N. Tolstoy, F. M. Dostoevsky, N. A. Nekrasov, with the best examples of Russian and world classics, which significantly expands the life and ideological horizon of the young writer, It raises a reverent and careful attitude towards artistic words, shows wide opportunities for author's expression. By this time, the first samples of the pen of the novice writer are. He reads her poems and stories to relatives and relatives.

In the summer of 1908, Mikhail Kovalev finishes his studies in the Cadet Corps. The Junker School does not attract it. After the defeat of the first Russian revolution, the army is perceived by him as a stronghold of tsarism and reaction. Withstand an additional exam in Latin, he enters the St. Petersburg Imperial University at the Faculty of Law. At this time, his first publication appears: in the Collective Student Collection of 1909, published by N. G. Tsyvarev, in the city of Vyshny Volochka, his own poem "Our Days" see.

In January 1912, the poems of Rüric Ivnev appear in the Bolshevik newspaper "Star", sharply condemned the lifestyle of the upper layers of society:

Having fun! Raise the wine glass! Write and burn Milongs, Have fun, and life is not visible, And do not hear curses and moans ...

The government sends the author from the capital, and the poet moves to Moscow. Here he finishes university. In 1913, Felana publishing house in 1913, his first book of verses "self-removal" (leaf I) comes out, and followed by the second - "Flame Pyshet" (Publishing House "Mezonin Poetry", Moscow, 1913). Poetic collections do not pass unnoticed. Their author is recognized. The poet confidently enters the literature and begins to actively work. The II and III sheets of the book "self-immolation" are published, a collection of poems "Gold Death" (Centrifuge Publishing House, Moscow, 1916) appears.

In March 1915, at one of the evenings arranged to help the wounded, Rurika Ivnev approached, as he writes in his memoirs, "slender, modestly dressed young man, as if all the permeated blue". It was Sergey Yesenin, with whom R. Ivnev starts a long and fruitful friendship, which passed soon in close spiritual proximity and creative contact. They are often encountered, exchange acrostiy. S. Yesenin notified characteristic feature Rurija Ivnev, calling him the "wanderer tired, indifferent to everyday losses." S. Yesenin R. Ivnev dedicated a whole cycle of lyrical poems.

Speakers the poet and in the genre of prose. In the periodical press of those years, in numerous magazines and almanacs next to verses, its stories and novels are increasingly. On May 15, 1915, the editorial office of the Blue Journal submitted to the court of readers the story of Rüric Ivnev "Comfortable feeling."

In this story, as in the mirror, the pre-revolutionary era is reflected with its rotating bourgeois moral, hyperbolization and complication of small and artificial problems of being. Rurik Ivnev realistically shows how human life, a high sense of love, the concept of morality is depreciated and some of the youth, deprived of patriotic aspirations and ideals of the revolutionary struggle, torn off due to a number of reasons from the socialist theory of the working class, demoralize and is worked out in the brazuisan life.

Rurik Ivnev leads an active creative life. It regularly appears on the pages of printing with new verses and stories, seeks to expand his artistic palette.

R. Ivnev tries to write in different genres. The time of creative experiment begins, searching for new ways to display reality. But this does not mean that the writer rejects traditional classic forms, on the contrary, he seeks to enrich them with new qualities, diversify funds artistic expressivenessSometimes to extend the life clearly leaving (the Holy story "her first friend", published in the January book of Lukomorye magazine in 1916).

The first major prosaic work of Rüric Ivnev was the novel "Unfortunate Angel", published in early 1917 in Petrograd in the Publishing House "House on Sandorch". Roman tells about the life and love of the young woman Elizabeth Petrovna Grave, about searching for her meaning of life. Realistically showing the life of the middle layers of the bourgeois-noble society on the eve of the revolution, the morals, imbued with mystics and decardance, Rurik Ivnev reveals the origins of such "convulsion of the monarchy" as Rasputina. In the novel under the name of Gabriel, Gregory Rasputin is easily guessed. Scene of the meeting of Elizabeth Petrovna and Vorogin, a kind of manner of the "Elder" behavior help to understand the reasons for its popularity in certain layers of the St. Petersburg society.

At the same time, the novel is not alien to some schematics, static character characteristics, the influence of aesthethy, the author's desire to the original.

The magazine known in those years was responding to this book. Modern world" By turning the writer for his passion for litexilibrist, "this kind of yellow sweater of Futurista", a reviewer, emphasizing the skill of the novelist, notes, "that with his ability to observe pieces of life and with subtle nuances of his palette can be given in something in the field of real artistic fiction."

After the events of the February bourgeois revolution, Rurik Ivnev visits the Petrograd Circus "Modern", which became the stronghold of the Bolshevik propaganda. Here often performed Lunacharsky, Collatai, Volodarsky and other Bolsheviks. At one of the rallies R. Ivnev met and became friends with Anatoly Vasilyevich Lunacharsky. And after the victory of the October Revolution, when the government took the Bolsheviks in the country, the poet unconditionally stood on the side of Soviet power, made the secretary of the Commissar of Enlightenment A. V. Lunacharsky. At the same time, he collaborated in the newspaper Izvestia VTCIK and worked in the All-Russian Collegium on the organization of the Workers' and Peasant Red Army.

Rurik Ivnev was among those three representatives of Russian poetry, which were the first to come to Smolny in the call of Soviet authorities to help the young Republic of the workers and peasants to build new life, new culture. The names of this poetic Trinity are Alexander Blok, Vladimir Mayakovsky and Rurik Ivnev, as well as director Meyerhold and artist Altman.

These days it appears famous poem Smolny, in which the poet declares his adoption of the October Revolution:

Your whole me, bubble smithing, All my life I give you!

And behind him - "Petrograd" and "People". In these verses, the faithful assessment of the great historical accomplishment is given.

January 1918. In the Izvestims of the All-Russian WFit appear articles of Rüric Ivnev to the sharp political topics of the current moment. The article "Alternatively persecuted", directed against the Tezis D. Philosophian, who spoke in the Cadet newspaper "Our Century" and claimed that the intelligentsia, as a social category, is abstract forever, with any public strict. The poet argued that such a flawed concept does not correspond to the historical truth. Then the articles "Revolution and Society" appear, "Great Free People and Great free art», Articles on the issue of conclusion Brest Mira (R. Ivnev adhered to the Leninist point of view and as a correspondent of Izvestia participated in the work of the IV Emergency All-Russian Congress of the Councils of Workers, Peasant, Soldiers and Cossack delegates, ratified by the Brest World).

It would seem that the bright and unambiguous civil position of Rüric Ivnev should have been reflected in his new poetic creations. However, many of his poems in those years are far from modern times. Imazinism is much closer to his creative manner. Such a position causes discontent of Valery Brysov who worked in the State budget. On December 4, 1920, A. V. Lunacharsky wrote V. Bryusov: "... I would strongly asked not to put difficulties for the adoption and payment and those of his poems that do not belong to political or generally revolutionary poetry." And continues: "... t. Ivnev is already one by one that he is literally on the very day of the October Revolution appeared to me with the proposal of its services to immediately establish communication between Soviet power And the best part of the intelligentsia, because he with great courage in one of the days closest to the revolution, he spoke with hot protection at the time rejected almost the entire intelligentsia of the new government, deserved the most attentive attitude towards himself ... ".

At the very beginning of 1921, the IMAZHINIST publishing house comes out a new collection of poems Rüric Ivnev "Sun in the coffin", the compiler and the editor of which Sergey Yesenin was. This book completely gave tribute to the literary flow, to which the poet in those years belonged. Without a doubt, it was largely shouted his creative opportunities.

In early 1921, one of the prominent leaders of the I. K. Ksenfontov, the associate of F. E. Dzerzhinsky, decided to invite Rüric Ivnev to the service at the information press center that was created then at the HCC. In the author stored in the archive, the characteristic signed by A. V. Lunacharsky said:

"TOV. Xenophonovoy dear Tov. Xenophon

In view of your wishes to invite to the service that Construction, which brought over, of course, a lot of dislike from the closer elements of the intelligentsia. For a long time, he was my secretary, first in St. Petersburg, and then in Moscow, then drove into the Caucasus to visit his mother, and for a while it was in Georgia, where his behavior was completely correct and from where he left for the first opportunity.

Tov. Ivnev is not a communist, but the person is completely loyal to our construction and deserving unconditional confidence.

People's Commissar of Enlightenment A. Lunacharsky

Proceed in the NGC, Rurik Ivnev did not. At the initiative of A. V. Lunacharsky, he headed the All-Russian Union of Poets, combining public and literary work. During these years, he travels a lot, visits Germany and Japan, Transcaucasia and the Far East. These. Trips are reflected in the work. There is a noticeable waste of Rüric Ivnev from the conventions of the IMAZHINISM, which makes the artist's palette richer, wider, life. He is less and less like artificial, contrived comparisons and metaphors. Life itself with her heroic of labor accomplishments, land renewed in front of the eyes, socialist transformations of the city and the village give the creativity of R. Ivnev realistic fullness. Having been in 1925 in Germany, faced with capitalist reality, the poet is sharperly feeling blood connection with his native country.

1927 year. Far East. Japanese islands. Rurik Ivnev - Special Core magazine "Spark". In the central printing, its essays and travel notes, stories and poems appear. Faced with the real life of the country of the Rising Sun, this advertised praised paradise for the rich and poor, with the struggle simple man For its existence, showing the deceit of bourgeois "freedoms", Rurik Ivnev writes the novel "Island of despair and hopes", drawing a prison of peoples, from which it is impossible to break out, indiscriminately ridicuing capitalist reality of Japan.

Significant interest is its epic trilogy "Life Actress", published at the end of the twenties. It included three independent novels: "Love without love" (publishing house " Modern problems", Moscow, 1925)," Open House "(Publishing House" Thought ", Leningrad, 1927)," Hero of the Roman "(writer's publishing house in Leningrad, 1928), united by common characters and unity of action. The trilogy reproduces the most complicated intra-political situation of the first post-revolutionary years Soviet Republic, NEP period, abroad life and emigration decomposition. In the center of the Romanov, the fate of the Russian actress Anastasia Lowovets (the Kroner's husband), her desire for happiness, the search for his place in life. On the pages of the trilogy, the reader meets many public figures, writers and artists of the first years of October. Under pseudonyms, historical faces of that time are easily guessed. For example, Semiradsky - Lunacharsky, Humansky - the author himself, Tomich - Mariengof, Butyagin-Yudenich, the inglorious end of which is significant and natural.

In the preface to the first novel trilogy, the famous literary critic prof. P. Sakulin wrote: "Rurik Ivnev in his novel shows revolutionary Russia at its everyday everyday life, in the process of its formation. The reader feels that the painted paintings have a deep background that there is a big scene where they are committed historical eventswhere the authentic heroes of the revolution are valid. " Noting the artistic sides of the novel, P. Sakulin emphasized: "The drawing in the novel is a meager, but solid; Items perform with the same slightness of lines as in the fall on a sunny day. Language - light and at the same time colorful, rich in original images ... The role of the Belletrist Poet remained faithful to himself, the best properties of his diving. "

Without a doubt, this trilogy was a big creative luck of the Ivnev-Prosaik.

In the thirties, the poet proceeds to work on the autobiographical story "at the foot of Mtatsmonds" devoted to the establishment of Soviet power in Georgia. At the same time, he prepares a new book of poems, deals with the translations of the Caucasian poets, the poems of "Seven Beauty" and the epic of the Ossetian people "NARTS". (Released in 1959 in the publishing house of the USSR Academy of Sciences.)

The beginning is great Patriotic War Interrupts the peaceful work of the writer. Rurik Ivnev starts working as a full-time employee in the "Fighter RKKK" newspaper - the authority of the Transcaucasian Military District. He writes poems that call the Soviet warrior to the deadly battle with the enemy. In 1942, heavier for the entire period of the Patriotic War, the poet expressed confidence that

As the past begging troubles, It will take place of dashing adversity, For the holiday joyful victory Moscow Peoples will gather ...

In 1943, a small poetic collection "My Country" was published in Tbilisi in Tbilisi. There are quite a few poems dedicated to the Soviet warrior, the defender of the Fatherland, the charming beauty of the Georgian land, where the poet was born and spent many years, verses of past years and translations. At this time, Rurik Ivnev starts working on his anti-fascist novel, "confusion", in the center of which the struggle of the progressive strength of the West with the brown plague impending to the world. The adventure plot of the novel, the imagery and liveliness of the language, the style of style, the deep psychologist of heroes show the increased artist's skill, the timeliness of his responses to actual problems Modernity, a hot desire to contribute to the sacred struggle with fascism.

After the war, R. Ivnev writes poems and prose, it works in the genre of drama. It has been written several historical and dramatic chronicles, including the "tragedy of the king Boris", "Emelyan Pugachev" and "Sergey Yesenin".

In the sixties, Rurik Ivnev began working on memoirs, trying to leave the appearance of bright representatives of Russian national Culturewith whom he had to communicate.

In 1965, the Publishing House "Artistic Literature" released a collection of Rüric Ivnev "Selected Poems", and in 1973, the book of prose "at the foot of the MTACMDI" was published in the Publishing House "Soviet Writer", which included memories of the famous poet contemporaries, people whom He knew well with whom he was friends: about M. Gorky, S. Yesenin, V. Mayakovsky, A. Blok, A. Lunacharsky, Sun. Meyerhold. The collection includes a cycle of unknown member earlier and the story, which gave the name of the entire book.

IN last years Rurik Ivnev worked tirelessly. Shortly before the death, he graduated from the autobiographical story "one year alone". Status of the story - Moscow 1918. Closeup showing: V. I. Lenin, which pronounced speech at the IV All-Russian Congress of Councils in defense of the Brest World, People's Commissar of A. V. Lunacharsky, his deputy N. K. Krupskaya, Poets S. Yesenin, V. Mayakovsky, K. Balmont , V. Kamensky and many other cultural figures of that time, the life of the era of the first years of Soviet power is correctly reflected, the life of the creative intelligentsia.

In 1978, his new books are published: a collection of poems "Warm leaves" (Publisher "Soviet writer") and a small Tomik "Watches and Voices" (Publishing House "Soviet Russia"), which includes poems and memories. Shortly before his ninety-power, the oldest writer who can be called the Patriarch of Russian Soviet literature, wrote new poems in defense of the world:

Let me ninety, but I have a young soul, Friends, I am with you, in the fighting, And I'm not afraid of black abyss cold, - While I am alive, I sing about the world!

Rurik Ivnev suddenly died on February 19, 1981 at 11 o'clock in the evening behind his desk, working on new verses. Until the last minute, he was full of strength, energy, new creative ideas. The poet was convinced that all created by him would find their reader, his books will not be forgotten:

Incorruptible wise nature, Do not make the spirit of alive on fire. Youth of the two thousandth year, I know, you remember me ...

In these years, the novice writer meets the work of A. S. Pushkin, L. N. Tolstoy, F. M. Dostoevsky, N. A. Nekrasov, with the best examples of Russian and world classics, which significantly expands the life and ideological horizon of the young writer, It raises a reverent and careful attitude towards artistic words, shows wide opportunities for author's expression. By this time, the first samples of the pen of the novice writer are. He reads her poems and stories to relatives and relatives.

In the summer of 1908, Mikhail Kovalev finishes his studies in the Cadet Corps. The Junker School does not attract it. After the defeat of the first Russian revolution, the army is perceived by him as a stronghold of tsarism and reaction. Withstand an additional exam in Latin, he enters the St. Petersburg Imperial University at the Faculty of Law. At this time, his first publication appears: in the Collective Student Collection of 1909, published by N. G. Tsyvarev, in the city of Vyshny Volochka, his own poem "Our Days" see.

In January 1912, the poems of Rüric Ivnev appear in the Bolshevik newspaper "Star", sharply condemned the lifestyle of the upper layers of society:

Having fun! Raise the wine glass!

Write and burn Milongs,

Have fun, and life is not visible,

And do not hear curses and moans ...

The government sends the author from the capital, and the poet moves to Moscow. Here he finishes university. In 1913, Felana publishing house in 1913, his first book of verses "self-removal" (leaf I) comes out, and followed by the second - "Flame Pyshet" (Publishing House "Mezonin Poetry", Moscow, 1913). Poetic collections do not pass unnoticed. Their author is recognized. The poet confidently enters the literature and begins to actively work. The II and III sheets of the book "self-immolation" are published, a collection of poems "Gold Death" (Centrifuge Publishing House, Moscow, 1916) appears.

In March 1915, at one of the evenings arranged to help the wounded, Rurika Ivnev approached, as he writes in his memoirs, "slender, modestly dressed young man, as if all the permeated blue". It was Sergey Yesenin, with whom R. Ivnev starts a long and fruitful friendship, which passed soon in close spiritual proximity and creative contact. They are often encountered, exchange acrostiy. S. Yesenin noted the characteristic peculiarity of Rüric Ivnev, calling him the "wanderer tired, indifferent to everyday losses." S. Yesenin R. Ivnev dedicated a whole cycle of lyrical poems.

Speakers the poet and in the genre of prose. In the periodical press of those years, in numerous magazines and almanacs next to verses, its stories and novels are increasingly. On May 15, 1915, the editorial office of the Blue Journal submitted to the court of readers the story of Rüric Ivnev "Comfortable feeling."

In this story, as in the mirror, the pre-revolutionary era is reflected with its rotating bourgeois moral, hyperbolization and complication of small and artificial problems of being. Rurik Ivnev realistically shows how human life, a high sense of love, the concept of morality is depreciated and some of the youth, deprived of patriotic aspirations and ideals of the revolutionary struggle, torn off due to a number of reasons from the socialist theory of the working class, demoralize and is worked out in the brazuisan life.

Rurik Ivnev leads an active creative life. It regularly appears on the pages of printing with new verses and stories, seeks to expand his artistic palette.

R. Ivnev tries to write in different genres. The time of creative experiment begins, searching for new ways to display reality. But this does not mean that the writer rejects traditional classic forms, on the contrary, he seeks to enrich them with new qualities, to diversify the means of artistic expressiveness, and sometimes extend the life clearly leaving (the Holy story "her first friend", published in the January book of Lukomorye Journal in 1916).

The first major prosaic work of Rüric Ivnev was the novel "Unfortunate Angel", published in early 1917 in Petrograd in the Publishing House "House on Sandorch". Roman tells about the life and love of the young woman Elizabeth Petrovna Grave, about searching for her meaning of life. Realistically showing the life of the middle layers of the bourgeois-noble society on the eve of the revolution, the morals, imbued with mystics and decardance, Rurik Ivnev reveals the origins of such "convulsion of the monarchy" as Rasputina. In the novel under the name of Gabriel, Gregory Rasputin is easily guessed. Scene of the meeting of Elizabeth Petrovna and Vorogin, a kind of manner of the "Elder" behavior help to understand the reasons for its popularity in certain layers of the St. Petersburg society.

At the same time, the novel is not alien to some schematics, static character characteristics, the influence of aesthethy, the author's desire to the original.

The magazine "Modern World" responded to the exit of this book. By turning the writer for his passion for litexilibrist, "this kind of yellow sweater of Futurista", a reviewer, emphasizing the skill of the novelist, notes, "that with his ability to observe pieces of life and with subtle nuances of his palette can be given in something in the field of real artistic fiction."

After the events of the February bourgeois revolution, Rurik Ivnev visits the Petrograd Circus "Modern", which became the stronghold of the Bolshevik propaganda. Here often performed Lunacharsky, Collatai, Volodarsky and other Bolsheviks. At one of the rallies R. Ivnev met and became friends with Anatoly Vasilyevich Lunacharsky. And after the victory of the October Revolution, when the government took the Bolsheviks in the country, the poet unconditionally stood on the side of Soviet power, made the secretary of the Commissar of Enlightenment A. V. Lunacharsky. At the same time, he collaborated in the newspaper Izvestia VTCIK and worked in the All-Russian Collegium on the organization of the Workers' and Peasant Red Army.

Rurik Ivnev was among those three representatives of Russian poetry, which were the first to come to Smolny in the call of Soviet authorities to help the young Republic of the workers and peasants to build a new life, a new culture. The names of this poetic Trinity are Alexander Blok, Vladimir Mayakovsky and Rurik Ivnev, as well as director Meyerhold and artist Altman.

These days, his well-known poem "Smolny" appears, in which the poet declares its adoption of the October Revolution:

Your whole me, bubble smithing,

All my life I give you!

And behind him - "Petrograd" and "People". In these verses, the faithful assessment of the great historical accomplishment is given.

January 1918. In the Izvestims of the All-Russian WFit appear articles of Rüric Ivnev to the sharp political topics of the current moment. The article "Alternatively persecuted", directed against the Tezis D. Philosophian, who spoke in the Cadet newspaper "Our Century" and claimed that the intelligentsia, as a social category, is abstract forever, with any public strict. The poet argued that such a flawed concept does not correspond to the historical truth. Then appear articles "Revolution and Society", "Great Free People and Great Free Art", articles on the conclusion of the Brest World (R. Ivnev adhered to the Leninist point of view and as a correspondent of Izvestia participated in the work of the IV Emergency All-Russian Congress of Councils of Workers, peasant, soldier and Cossack delegates ratifying the Brest world).

It would seem that the bright and unambiguous civil position of Rüric Ivnev should have been reflected in his new poetic creations. However, many of his poems in those years are far from modern times. Imazinism is much closer to his creative manner. Such a position causes discontent of Valery Brysov who worked in the State budget. On December 4, 1920, A. V. Lunacharsky wrote V. Bryusov: "... I would strongly asked not to put difficulties for the adoption and payment and those of his poems that do not belong to political or generally revolutionary poetry." And continues: "... t. Ivnev is already one by one that he was literally on the very day of the October Revolution appeared to me with the proposal of his services on the immediate establishment of communication between the Soviet authorities and the best part of the intelligentsia, because he with great courage to one of the days closest to the revolution At that time, rejected almost the entire intelligentsia of the new government, deserved the most attentive attitude towards himself ... ".

Rurik Ivnev, V. S. Chernyavsky, S. A. Yesenin. Photo. End of March 1915 Petrograd

"Laja under blooming cherry
Merging with her white,
All dark, bitter, unnecessary
I didn't cope with me! "
(1955)

Rurik Ivnev (real name Mikhail Alexandrovich Kovalev; February 11 (February 23) 1891, Tiflis, Russian empire- February 19, 1981, Moscow, USSR) - Russian poet, Prose, translator.


Artist Speakenko Liliana. Thinking about you...
***
I can't tell about many things
This winter evening is simple and quiet.
I never see these lips
Close, very close to mine.

Outside the window of snow and silence.
Nothing now don't need me
At a semi-surround window
So sit in the radiant half.

And through Dremma about you dream -
Old fashioned, stupid and funny
And then, having to shred
Hot mouth frozen window.

R. Ivnev. 1913.
Born in a revolutionary configured noble family. Father, Alexander Samoilovich Kovalev, was the captain of the Russian army and served as an assistant to the military prosecutor of the Caucasian Military Court. Mother, Anna Petrovna Prince, took place from the Dutch county race. After the death of her husband in 1894, one was forced to educate two sons, worked in women's gymnasium In Kars, where the childhood of Ivnev passed.

In 1900, the future poet entered the Tiflis Cadet Corps, where he studied until 1908 and met the future hero of the Civil War Paul Andreyevich Pavlov. Also, a huge impact on him was her mother's sister, Eschka Tamara Prince.

At the end of the Cadet Corps, Ivnev entered the law faculty of the St. Petersburg Imperial University, but was soon forced to translate into Moscow. The translation was associated with discontent with his cooperation with the Bolshevik newspaper "Star". In 1912, Ivnev graduated from the Faculty of Faculty of Moscow University.


Osip Mandelstam and Rurik Ivnev. Kharkov, 1919

***
Let me answer thousands of scientists
On dizzying question:
Where are these feelings in loved,
What kind of constellations the wind brought them?

Where are these strange impulses
Fire scorching medium polar ice?
How will this moan happy to us
Comes from the depths of centuries?

Where the flames of feelings take their origins,
What kind of magician intoxicates us
Giving the amazing strings
About the brilliance of someone's unfamiliar eye?

Who solves all contradictions
And will explain with the utmost simplicity
Animal human speech
Gusting the souls born by beauty?

R. Ivnev. October 24, 1951.
Moscow

***
It would seem that all is the same thing
As a completely accurate mechanism.
But as we make mistake, - Oh, God!

Actually everything is diverse
And every day is filled with novelty.
Diamonds are burning in different ways
Dumpless stars - winter and spring.

In different way we feel summer
And insatiable autumn infusion.
We know all questions and answers,
And all the time we scream: "Wait!"
Rurik Ivnev


I. Medvedev

After the victory of the October Revolution becomes secretary of Lunacharsky. At the same time, it cooperates with the newspaper Izvestia WTCIK, takes part in the work of the IV emergency congress of the skills of workers, peasant, soldiers and Cossack deputies.

In 1919, Ivnev was sent to the south as the head of the Organization of the Agitpo. A.V.lunacharsky. Visits Ukraine and Georgia. Returning to Moscow, 1921 is headed by the All-Russian Union of Poets. During this period, the rapprochement of Ivnev with immudy begins. The collection of his poems "The Sun in the Coffin" and the brochure "Four Shot in Four Friends" will be published in their publishing house.

In 1925 he participates in the preparation of the collection of memories of Sergey Yesenin among other friends. In the future, Yesenin often appears in the memoir prose Rüric Ivnev.

***
Is the song Spet?
I do not know what to do.
No stronger pain this -
Lose, but not forget.

Maple! Doesn't he nods,
She traveled by sheets,
The same sea is washes
Coast, where you live.

Separate us space
Blue, deep waters,
And autumn decoration
Chrysanthemum flowers.

Is the song Spet?
I do not know what to do.
No stronger pain this -
Lose, but not forget.

1927
Inokawa

Rurik Ivnev. 1920-E.

***

Tired of me these games.
Alternates happiness with grief,
Exactly stripes on the skin of the tiger.

Gray eye burning and mystery,
Well, just like the Middle Ages.
Really they accidentally
On love answered love?

What is the sun with his fate,
These hollows of the yellow salt.
I pereged yesterday with happiness,
And today I scream from pain.

Oh, we are always arguing with fate,
Tired of me these games.
Alternates happiness with grief,
Exactly stripes on the skin of the tiger.
R. Ivnev

Once in the "Strapping Dog", Ivnev read such a poem:
"At the station I go out of the car
And Lorn Unknown Terrain,
And with me the always-sized Bonna -
Future fame. "

Mayakovsky immediately reacted:
"Lace and garma residues
will be washed off with a stream of showers,
And fame passes by,
Because I'm only Ivnev. "

In order for the writer to express his place in history to earn the literary status in power, the policy method was nominated - "Socialist Realism". The idea of \u200b\u200bhumanity in Ivnev's poetry is manifested in his compassion and in his love. Ivnev is difficult to subordinate the feelings of any ideology or aesthetics. In this, he could not be "deft well." Other managed better. Others were more successful. Others received premiums. Entered into anthology. Ivnev went his path with the edge.

***
No matter how ridiculous:
From all my alarms and meetings
Over only pile of ash,
I was covered to shoulders.

Dozens of years rushed shadow,
Like dust, dispelled by fate.
I started the summer
From the date of rapprochement with you.

Reached your consciousness
That, no matter how the world is wide,
Without your existence
I would not exist?

R. Ivnev. 1959.
Moscow
Until 1931, Ivnev is actively traveling from the Transcaucasia to Far East, from Germany to the Japanese islands, as a special community of magazines "Ogonos" and "Echo" and newspapers "Izvestia". In 1931, she moved to Leningrad, where he started working on the autobiographical novel "Bohemia".

***
Time Cards Far
Sleep in pearl boxes.
They were all real
Signing a real yawl.

We look at them, and I can not believe
What touched their dresses
That runs through the dumplings,
To make them in the arms.

These eyes burning
Like and now living,
By past love calling
Someone once called.

Who gave us this happiness
With steep stirred,
Our own power
Stretch joy weighing.

Pictures like perfume immortals
We are flying out of the boxes,
To love selfless
Return to the present again.

Time Cards Far
We again feel close.
Again their warm breath
All our feelings are permeated.

R. Ivnev. 1933.

Life is so good with happiness,
What to rapid truly sin
On undercommunion and attack
And for the fact that now destined

R. Ivnev. 1970.
During the Great Patriotic War, Ivnev works in the RKKK Fighter newspaper. In the postwar years - its new collections are actively published, both poetic and prose.

Until the last days of his life, Rurik Ivnev did not stop working, actively helped young writers. He died at the desk three days before his 90th anniversary. He was buried at the Vagankovsky cemetery in Moscow, on Vasilyevskaya Alley.

***
Let the thunder and lightning
Everyone who is not too lazy.
I stand with love filled,
As a sun filled with the sun.

There is no past nor real
And I do not know how to call
This is a burning flame,
Like fifty feelings, not five.

Dissolved in you, I disappear,
And I do not know if back back,
Before me is unique,
Dazzling eyes.

But where are all these roots,
These sounds? From Heaven Ile from Earth?
Remember stars golden bears
And the evening Amur bay?

I first (understand, universe)
Suddenly realized what love is.
Oh, burned down the same, my prisoner,
My insatiable blood!

Let the thunder and lightning
Everyone who is not too lazy.
I stand with love filled,
As a sun filled with the sun
R. Ivnev

Where did you come from - Black, Cudlated,
Incredibly glorious dog?
I lived poorly or richly,
Where did you raise and grow?

I do not answer my questions
You just wave a tail,
In a deserted cafe, for a cup of tea,
I'm thinking about your live.

As a person I regret you,
Generally accepted pity for homeless psam;
Outside the window - the Black Sea wind buzz
And the waves rolled up to the shores.

I thought about it not immediately,
But suddenly the question arose before:
It is possible, however, a casus,
What do you regret me like a dog.

And here we sit - relatives to pain,
One - at the table, the other - under the table.
I sigh of your sigh
You - about living - to be mine.
1915, Sukhum

Provincial town

How sorry to me those who never lived
In the deaf provincial cities,
Who did not breathe untouched herbal
Putting to the ground a curly head;

Who did not meet on the streets of the cows,
Did not pick up rusted horseshoes
Who did not stare on a two-storey house,
As if the world was all placed in it;

Who did not walked in the provincial square
Where everything seemed to be on plywood,
Who did not drive with delight in the children's gaze
Colors of posters on a sloped fence;

Who did not compress me in his hand
At the entrance to the circus, the medium of record sevaac,
Who did not run for the barrel of water carriage,
With rosy cheeks. Erasing lady's tears;

Who did not look at the flame of the lanterns,
As in the eyes of unknown animals;

Who at night did not shudder in a dream
And who did not raise the face to the moon,
Who did not wander around the city feature,
Digitated by an unsinkable dream.
R. Ivnev. March 2, 1958.

Rurik Ivnev. 1930

Rurik Ivnev

At the age of 7 in 1944, I lived in Tbilisi, I went there in the first class. I lived with my mother and cousin Anait (daughter Gazaros Agayana) in an old house number 6 on Engels Street. In this house, a very unusual man lived on the very last floor: he had long blonde hair, a long black coat and he passed through our yard, as if not seeing anything around as Somnambula. It was very quickly and disappeared at the gate ... Returned or with a product with products, or with a bundle of rolled newspapers. I tried to learn from the guys from the courtyard, who is this man, but all I spoke differently. One that he is a famous pilot, the other that he is our scout, so nowhere works and call it only on important tasks, the third, that he is famous in Tbilisi, the thief, etc.

Somehow, with me, my mother asked the neighbor, long-living in this house, who is this unusual man. Neighbor replied:

- This is a poet - Rurik Ivnev, is printed in the "Zare of the East" ...

At that time I myself did not read the books - I read them my mother. But, a strange thing, the word "poet" made a greater impression on me than if a neighbor said that this person is a pilot, or a tanker, or even a hero Soviet Union... poet! Poems in the newspaper! I still can not understand that these words could know for me at a seven age, but I think somewhere at the genetic level, I understood the essence of this person. Every time it appears, I felt a lightweight trepidation, realizing that this person is different from all other living in our house, and maybe even, on the street! He writes poems, such as those who reads my mom!

After many years, I suddenly stumbled upon a bookstore on the book of poems Rurik Ivnev and, of course, I immediately bought it. From the preface, I learned his biography, I learned that he was part of Lef, was a friend of Mayakovsky, and from the end of the 30s he lived in Tbilisi ...

So, this is the very Ryric Ivnev, whom I have seen in childhood. He then seemed to me almost a deep old man, and from the preface I learned that he was still alive.

After a few years, when I got a conversation about poetry with some writer, I asked him if he knows Rurik Ivnev. The writer said, they say, who does not know him - he was a friend of Mayakovsky, poems in his youth wrote quite good and was, it all knows, blue ... The last somewhat overshadowed my children's memories of Rurica Ivnev, somewhat donated that bright halo, which In my imagination, vital over his appearance.

And in February 2003, when I was supposed to get a Green card for entry into the United States to further pass a medical examination in a special prince, I had another meeting with Rurik Ivnev.

I went through a medical examination and was supposed to come over the answer after 3 hours. Where do you take this time? I wandered around nearby shops, it was unexpectedly not far from the Vagankovsky cemetery and decided to go to the cemetery and to hold the grave of my cousin, the famous composer Edward Haagagagagoryan. It was winter. The grave was not so easy to find - I approximately remembered the avenue and knew that the fence of the grave should be left of the path, but the mountains of the collected snow, drifts -All it smeared the topographic picture in my memory. And so I went clearly around and the graves you need (in the end I still found it), I read the inscriptions on the tombstones and suddenly saw the inscription: "Rurik Ivnev". I started and stopped as in my childhood when playing football, suddenly noticed his rapid figure in a long coat running around the iron staircase, stood, looked at the grave, as I watched after Rurik Ivneu, when boys, not understanding what I I got up like the inserted, shouts tried to return me to the game, and now I looked at the grave, probably not to all the famous writer and thought about why suddenly the boy's name did the name of this person and his image imprinted for a whole life? Why did this boy be trying to write, barely learned to draw letters and why ultimately became also in some extent a writer?

And why the fate led him in the end on the grave of the person he himself, about which he remembered all his life ...

Pictures of the artist Igor Medvedev
Sources.