House of the Soviet Army

Central named after M. V. Frunze (CDSA), cultural and educational institution of the Armed Forces of the USSR. It is intended for carrying out political, educational, cultural and artistic work among military personnel, members of their families, workers and employees of the Soviet Army. Founded by decision of the Revolutionary Military Council of the USSR in 1925, opened on February 23, 1928 in Moscow.

The ensemble of buildings of the CDSA (the main building, the southern and northern wings, a front yard with a fence, a park with a pond) is an architectural monument of the early 19th century. In the building from the end of the 18th century. Until 1917, the Catherine Institute for Women (St. Catherine's School) was located. The central part of the building was built in 1779. In 1802-07, the central part was rebuilt by I.D. . Gilardi, outbuildings were attached to it. In 1818-27, under the leadership of D.I.Gilyardi and A.G. Grigoriev, the building was expanded and the facade was rearranged. In 1918-28, according to the project of S.A.Toropov, the building was restored with the construction of a main staircase.

CDSA works under the leadership of the Main Political Directorate of the Soviet Army and Navy. CDSA has lecture halls, concert halls, cinema and exhibition halls, methodological rooms, classrooms, a library (over 500 thousand volumes), a summer park with a mass theater. There are lounges, board games rooms, dance halls, and a hotel.

At the CDSA there are: an evening university of Marxism-Leninism, a people's university of culture, training courses for military academies and foreign languages, a military scientific society, a literary association, a chess club, and a philatelists' club. Through the CDSA, constant contacts between the army and the navy are carried out with figures of science, culture and art. CDSA forms and sends to the troops propaganda and cultural and artistic brigades, exhibitions, provides methodological assistance to army and naval cultural and educational institutions, assists the commanders and political agencies of the troops in organizing lectures, consultations, educational and methodological seminars, theoretical and practical conferences. CDSA publishes information and methodological bulletin, methodological manuals and other materials on cultural and educational work in the army. On February 22, 1968 CDSA was awarded the Order of the Red Star.

M.I.Mikhailov.

Great Soviet Encyclopedia. - M .: Soviet encyclopedia. 1969-1978 .

Soviet Army street Samara ... Wikipedia

View of the theater building from the side of Suvorovskaya Square Central Academic Theater of the Russian Army (until 1951 Central Theater of the Red Army, 1951 1993 Central Theater of the Soviet Army) Moscow Academic (since 1975) Drama Theater ... Wikipedia

View of the theater building from the side of Suvorovskaya Square Central Academic Theater of the Russian Army (until 1951 Central Theater of the Red Army, 1951 1993 Central Theater of the Soviet Army) Moscow Academic (since 1975) Drama Theater ... Wikipedia

The twice Red Banner Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrov or the Alexandrov Ensemble is an outstanding artistic group of Russia. History In 1928 the ensemble consisted of 12 people, 8 singers, 2 dancers, ... ... Wikipedia

The twice Red Banner Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrov or the Alexandrov Ensemble is an outstanding artistic group of Russia. History In 1928 the ensemble consisted of 12 people, 8 singers, 2 dancers, ... ... Wikipedia

Cultural and educational institutions in the Soviet army and navy- these are the officers' houses and Lenin's rooms. Each military district has a district Officers 'House, in large garrisons there is a garrison Officers' House; Lenin's rooms were created in the company, battery and equal units. Officers' houses have ... ... A short dictionary of operational-tactical and general military terms

Cultural and educational institution of the Soviet Armed Forces, carrying out work on communist education, meeting spiritual needs and organizing cultural leisure of servicemen, members of their families, workers and employees ... ... Great Soviet Encyclopedia

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Books

• My house. Romances to verses by M. Lermontov. To the 200th anniversary of the birth of M. Yu. Lermontov. For voice and piano (+ CD), M. Likhachev, M. Yu. Lermontov. Mikhail Yurievich Likhachev is a musician, composer, teacher, poet, photographer. Honored Worker of Culture of Russia. He graduated from a music school in the accordion class with his father, deserved ...

Cultural Center of the Armed Forces of the Russian Federation. M.V. Frunze

Cultural Center of the Armed Forces of the Russian Federation named after Mikhail Vasilyevich Frunze (abbreviation CC RF Armed Forces) - the head institution of culture of the Armed Forces of the Russian Federation (scientific and methodological center), a federal state institution.

The Cultural Center of the Armed Forces of the Russian Federation is a subdivision of the Ministry of Defense of the Russian Federation - a military unit and has a conditional (open) the name of the military formation used with a digital index (HF #). (Formerly the Red Army, the USSR Ministry of Defense).

Tasks

Awards

The merits of the CC of the Armed Forces of the Russian Federation in the development of cultural and leisure work with the personnel of the army and navy, active participation in the military-patriotic education of citizens of our country were marked with high state awards and other incentives at the highest level.

In 1968, the Center was awarded the Order of the Red Star, and in 1978 - the Order of the October Revolution. In 1995, the Cultural Center of the RF Armed Forces received a commendation from the President of the Russian Federation.

Bosses

• Mutnykh Vladimir Ivanovich (1895 - 11/25/1937), brigade commissar, member of the CPSU (b) from 1918, head of the Central House of the Red Army. Repressed (arrested on April 20, 1937, verdict of the HCVS on November 25, 1937). Rehabilitated August 15, 1956
• Rodionov Fedor Efimovich (1897 - 12/9/1937), head of the Central House of the Red Army, corps commissar, member of the CPSU (b) since 1919. Repressed (arrested on May 31, 1937. anti-Soviet military-fascist conspiracy and was shot on the same day). Rehabilitated on 28.7.1956

Team

Currently, 21 honored cultural workers of the Russian Federation, 1 honored art worker of the Russian Federation, 6 honored artists of the Russian Federation, 6 doctors and candidates of sciences are fruitfully working here.

• "Red Banner Hall"- the perfection of the compositional solution of the interior makes this hall exquisitely solemn. Freedom is the first feeling that everyone who enters here experiences. Festive elation is felt in everything. The hall can accommodate up to 600 guests.

• "Fireplace Hall". Constructive decorative solutions, high sense of style are inherent in this hall. The hall amazes with the clear rhythm of space and the plasticity of the drapery on the huge windows. The hall can accommodate up to 120 guests. This is where the meetings of the club of senior officers of Russia usually take place.

• "Cinema Concert Hall"- this is a high style in the literal and figurative sense. As if floating columns that enhance the dynamics of space, the nobility of the color scheme give a good mood. This beautiful hall is equipped with the most modern lighting and sound technology. The capacity of the hall is 400-600 guests.

• Malachite Living Room. Favorite range of colors from emerald to turquoise. This living room accepts up to 100 persons.

• "Golden living room"- this is the splendor of the decoration and the shine of gold in the interiors. The living room is designed for 20 people.

• "Red living room"- a unique place for official meetings, salon music evenings. Since ancient times, red in Russia was considered the color of human love. The bright color of the decoration and the golden scale of the parquet fill this living room with a truly Russian cosiness. The living room can accommodate up to 80 people.

• "White living room". The composition and plot completeness of the interior, white color and bright light, nobility and poetic charm of the living room - all this works for a positive event that can be held in this unique place of the Cultural Center. The living room is designed for 100 people.

• "Chamber Hall" rather modest and even ascetic, at first glance. The hall can accommodate up to 200 guests.

Central House of the Russian Army. M. V. Frunze designed to meet the spiritual needs, education, enlightenment and cultural leisure of military personnel, civilian personnel of the RF Armed Forces and members of their families, other individuals, to provide methodological and practical assistance to the Houses of Officers, clubs, libraries, other cultural institutions of the Armed Forces, power ministries and departments Russian Federation.

This is described by our website of the central house of the Russian army, which is the legal successor CDKA-CDSA-KTS VS.

The Central House of the Army has always been and remains one of the best places in the capital for cultural, leisure and educational events of any level and degree of complexity. The architectural ensemble of the center has the status of a unique architectural monument of the 18th century, within the walls of which the festive evening will never be forgotten!

The Central House of Arts is located in an ensemble of buildings classified as architectural monuments of the second half of the 18th - early 19th centuries, which are under state protection. These buildings were repeatedly rebuilt by prominent Russian architects. The most significant changes were made in 1927-1928, in connection with the deployment of the Central House of the Red Army here. The grand opening of the CDKA took place on February 28, 1928. In the pre-war period, active work was carried out here to improve the military, general educational and cultural level of command personnel, cultural and artistic services to the troops, and the dissemination of military knowledge among the civilian population. During these years, such collectives as the Academic Song and Dance Ensemble of the Russian Army named after A.V. Alexandrova, Central Academic Theater of the Russian Army, Separate Military Demonstration Orchestra of the Ministry of Defense of the Russian Federation, Central Sports Club of the Army, Central Chess Club of the Armed Forces.

From 1928 to 1965, the building of the CDKA-CDSA housed the Museum of the Red Army and Navy, renamed in 1965 into the Central Museum of the Armed Forces of the USSR (now the Central Museum of the Armed Forces). For more than 70 years, a strong friendship has linked CDKA-CDSA-CDRA-CC of the Armed Forces of the Russian Federation with the Studio of Military Artists named after M.B. Grekov, formed in November 1934 in memory of this outstanding battle painter. During the Great Patriotic War 1941-1945. The CDKA became a kind of headquarters for cultural and artistic services for the troops of the active army. From here, artistic brigades of theaters, philharmonic societies, concert and touring associations from different regions of the country were sent to the front. In 1946, the CDKA was renamed into the Frunze Central House of the Soviet Army (CDSA), and in February 1993 - into the Central House of the Russian Army (CDRA). Since November 1997, the Central House of Arts has been called the "Cultural Center of the Armed Forces of the Russian Federation" named after MV Frunze.

The successes achieved in the cultural and leisure activities of the Central House of Arts is the result of the friendly and intense complex work of the entire staff of the institution. 21 Honored Workers of Culture of the Russian Federation, 1 Honored Art Worker of the Russian Federation, 6 Honored Artists of the Russian Federation, 6 Doctors and Candidates of Science work fruitfully here. The merits of the Central House of Arts in the development of cultural and leisure work with the personnel of the army and navy, active participation in military-patriotic education in our country were marked with high state awards and other incentives at the highest level.

In 1968, the Central House of Arts was awarded - Order of the Red Star, and in 1978 - Order of the October Revolution.

In 1995, the Central House of Arts was declared gratitude of the President of the Russian Federation.

Supervised by the Central House of Arts Honored Worker of Culture of the Russian Federation Mazurenko Vasily Ivanovich.

Whenever you talk about military service, as usual, a certain soldier, uniform, bearing, chasing a step, etc. from the same series, comes to mind. At the same time, many people of civilian life, including the families of the military, are concentrated around the fulfillment of the immediate tasks set by the homeland for their defenders, however, the military themselves, presumably, by no means devote all 24 hours to the parade ground. It was for the execution of tasks of a spiritual nature that the Cultural Center of the Armed Forces of the Russian Federation was created in the first decades of the last century.

The emergence of the center

The idea of ​​the need to organize cultural recreation for campaigners who spend a lot of time in the trenches came at the end of the third decade of the last century - in 1928, the Central House of the Red Army appeared. For less than a hundred years, it has undergone several renames, however, this did not affect its essence in any way. First, it became the Central House of the Soviet Army, and after the collapse of the Soviet empire - the Central House of the Russian Army.

War and after it

A varied documentary chronicle of the war years clearly demonstrates the urgent need for those artistic groups that circled the front, fearlessly put their numbers on the front lines and in hospitals. Lydia Ruslanova, Valentina Serova, Georgy Yumatov and many others, who, under the roar of shells, under the whistle of bullets, risking death every minute, with the breadth of their souls and generosity of talent, raised the morale of those who forged victory in sweat and blood.

From the very beginning of the war, the current Cultural Center of the Armed Forces of the Russian Federation has turned into a field headquarters, the main function of which was to provide the front with any means to increase morale. It was here that the so-called front-line brigades were formed, which included pop artists, film and theater actors.

At the end of the war, by decision of the country's leadership, the department began to bear the name of the famous revolutionary Mikhail Frunze. Although the most terrible war ended in complete defeat, there was a feeling of a new military clash in the air, so the institution somewhat changed its profile and began to teach foreign languages, prepare for entering military academies to strengthen the officer corps. In addition, the political and educational component was strengthened, expressed in the opening of the University of Marxism-Leninism.

The department began a new life after the collapse of the Soviet empire. In 1993 it bore the name of the Russian army, and in 1997 it was renamed the Cultural Center of the Armed Forces of the Russian Federation.

Departmental tasks

The modern military-cultural department includes six branches. The department responsible for culture in a peculiar sense is the main one. It is he who is responsible for cultivating morality among the military, as well as among their families. His educational inclinations extend to all civilian personnel. The formation of those very brigades today is entrusted to the military-patronage department, which also organizes solemn events for memorable dates. The functions of propaganda are entrusted to the writing department.

Although the Cultural Center of the Armed Forces of the Russian Federation has a modern name, it relies on its heritage, which means that it solves the initially set tasks, with some time adjustments, and uses approximately the same methods as its founders. In modern rhetoric, it is possible that it is precisely such organizations that will bear the main burden of the massive integration of patriotic ideas of the current flood with specific propaganda goals.