Is it possible to develop the ability to naturally express emotions, master voice, facial expressions, gestures, be plastic and better understand a partner? Acting and oratory teachers answer that the development of artistry in adults is possible, it just takes a little more time and effort. And most importantly, perseverance.

What does artistry mean?

In the definition of the concept of "artistry" there is often a short, concise interpretation: artistic talent, a penchant for art, skill. When we watch a movie or a performance, we pay attention to how sincerely the emotion is conveyed, the atmosphere is created, limited character actor. Did it work or not? So it means that natural talent does not solve everything for actors. And how to develop artistry in yourself?

Sometimes it seems that people go to performances because they forgot how they played in childhood, they watch someone else's game in order to feel natural, get aesthetic pleasure, and free themselves from emotions. During the action, the viewer becomes a passive participant in everything that happens on the stage. What if you try to play? For this, there are exercises that develop the skill of reincarnation.

Remember how you were as a child: active, assertive or modest and shy. For ten to fifteen minutes, be your complete antipode. Often opposites do not cause sympathy. The development of artistry helps to get to know the people around you better, to establish social ties.

Diction and more

The artist must clearly, distinctly pronounce the words. This needs to be adopted. By the end of the sentence, many speak in a muffled voice, the interlocutor may not hear the end of the phrase. Some words are so similar in sound that they can be confusing when clumped together. In such cases, tongue twisters help. What is important is a clear separation, "elasticity" of spoken words.

You can take a disc with any work, try to imitate the reader on the record. Entering the role, you will feel a fulcrum, a foundation that allows the voice to flow easily, loudly, freely. The fulcrum is in the stomach, which needs to be picked up, and the shoulders, if possible, should be relaxed.

Skill training

Voice, intonation, speech - it is necessary to develop people of different professions. To be listened to, it is important to speak not monotonously, but lively. Many works, where there is a rich dialogue, allow you to study different intonations. Introduce the characters, the manner of speech - depict in a short passage.

Mimicking children's voices in acting is like imitating cartoon characters. How is voice acting done? The actor looks at the action and pronounces the words on the piece of paper. Children's books, for example, about Winnie the Pooh, are always somewhere in the house. Try to voice him, Pyatochka and Donkey. At all - no more than one minute. There is a certain meaning in this speed of alternation of images: consciousness does not have time to fetter actions.

For training, it’s good to turn on the cartoon and pronounce phrases after the characters. By playing, you are freed from negativity. This is where artistry comes in handy.

In the acting warm-up there is a change of images:

• Boring professor;
• Barker;
• Grumbling bureaucrat;
• Disco host.

Staying in each image for no longer than one minute develops the art of reincarnation. Positive energy is released, developing creative abilities.

Role reversal: choose one phrase and say it from the positions of different characters (girl, mother, businessman, leader). Add a change of emotions.

Facial expressions and plasticity

Facial expression is the most powerful, eloquent tool for conveying the inner state of a person. A face conveys more than a thousand words. Actors, teachers, businessmen, leaders, diplomats, parents are sometimes forced to restrain the manifestation of emotions.

But excessive restraint leads to the opposite result: communication becomes very poor due to constrained gestures, facial expressions, and intonations.

By a certain age, a person's character is read by his frozen mimic wrinkles. Therefore, exercises for the face are useful, how to develop the artistry of the exercise:

• Pronounce drawling sounds: a, o, s;
• Strongly raise and lower eyebrows;
• Smile broadly, then fold and stretch your lips forward;
• Squint and open your eyes wide.

In front of the mirror, try to portray joy, surprise, sadness, indignation, anger, delight, thoughtfulness.

Plastic surgery develops the ability to relax body clamps. You can relieve excess tension by jumping, dancing movements. Plasticity is developed by the “wave” exercises - stretching the arms to the sides, sending a wave over the shoulders, “wall” - touching the invisible wall with palms, “painting the fence” - brush movements, “rowing” - imitation of rowing on oars.

New opportunities

Acting instructors recommend doing a tension-relaxation exercise before the stage. Stand up straight, raise your hands, look at them, rise on your toes and stretch up for ten seconds, and then relax. Exercise relieves stiffness. If you have the opportunity to play a role at a party with friends - do not refuse. You can pleasantly surprise yourself.

Charisma, charm, artistry - for many, these are just beautiful words that do not mean anything specific. When the word "artistic" is used, a person imagines someone like Leonardo DiCaprio in the role of "The Wolf of Wall Street", but in no case his colleague, boss, older brother, or anyone in his inner circle. We do not notice that a colleague is able to sell anything to anyone thanks to the ability to show the goods with his face, that the boss, even in the most hopeless situation, can inspire the team with confidence in his strength, that the elder brother becomes the soul of any company without any problems. Or we notice, but the word "artistry" does not come to our mind: they are ordinary people, and not some kind of movie stars.

REMEMBER! Artistry is the ability to turn the most mundane and even routine things into art. An actor must be artistic, but this does not mean that innate artistry is peculiar only to actors!

Where artistry comes in handy in everyday life:

1. In personal life. How to impress a girl or a guy and show yourself from the best side.
2. In career growth. How to stand out in a team, be able to take the initiative in hand and show leadership qualities.
3. At home. How to arouse the disposition of strangers quickly and in any circumstances.
4. In difficult, unpleasant and dangerous situations. How not to lose face, not to show fear, not to betray true feelings.
5. in self-development. How to improve self-perception and forever insure yourself against the loser complex.
6. In relationships with family. How to learn to get along with everyone at once.
7. In communication with friends. How to become the center of attention and attraction in the circle of closest friends.

Why develop artistry

Have you ever wondered why at school they were forced to read poetry with expression, and not at random? The correct answer is: because expressive reading conveys the essence of what is written better, not only to the listener, but also to the reader himself. This is the element of acting: the maximum of the necessary information with the minimum means. You can say the word "hello" with a stone face and without intonation, the addressee will understand that he was greeted, but he will not feel anything. Or you can stretch the word a little in an exclamatory intonation - "hello!" and smile at 32 teeth. The addressee will also understand that they greeted him, but he will also note that they did it with pleasure, that they are glad that they treat him well. And a good attitude, according to psychologists, gives rise to reciprocity, this is how friendships are established, and barriers between people are collapsing.

IMPORTANT! Artistry helps to get what you want from other people. Artistry should be developed if difficulties arise in this direction. Can't get to know a girl or negotiate with a client? Then this is what you need.

Profession actor

Above, we tried to deal with an abstract concept, turning it into a concrete, vital one. We found out that every person is artistic in one way or another, or may well develop artistry. But now it is not very clear why such an ordinary phenomenon is strongly associated with acting and, in fact, with stage performers.

The fact is that the theater is always an emotional impact on the viewer. People don't go to the theater for facts, only for impressions. And even the morality that is in every play, if not frankly secondary, is perceived by the viewer only through sympathy for the characters.

The goal of an actor in the theater is to make the audience empathize.

Now imagine how Othello with a stone face, without emotions and intonations, says: “Have you prayed for the night, Desdemona?”. Will you empathize with him, worry, freeze in anticipation? Will you come to this show again? No. That is why everything an actor does must be artistic, i.e. emotionally expressive. For the same reason, artistry got its name, because it was the artists who turned the ability to captivate into a real science, which became the basis of acting.

Exercises for the development of artistry

The good news is that you don’t have to develop artistry in the full sense of the word. Emotional expressiveness is a natural quality that every person possesses, it is unconsciously used in the process of communication. If you observe children who have not yet been driven into the framework of "decent behavior", it becomes clear that they express their emotions freely and openly, and they turn out to be charming. You, too, were a spontaneous and sweet child, which means that you possessed everything that you lack so much now. The main task is to remember what it is.

1. Learn to let yourself go. Letting go means enjoying what you are doing without regard to “what it looks like”. For example, a person who dances, not knowing how to dance, because he is “high” to move to the music, performs an artistry exercise.
2. Learn to imitate. Imitation is the essence of any art. The development of artistry begins with a simple copying of the habits of people and animals. Try doing ordinary things in a different way, reacting like interesting people you have observed, acting like them, talking like them, etc.
3. Make it a rule to be the center of attention once a day. That is, in a situation where everyone around is looking only at you.

If you find it difficult to work on yourself on your own or need an experienced look from the outside, artistry lessons that can be taken at drama schools or acting classes will come in handy.

To achieve promotion, be among campaign spokespersons, speak in front of an audience, communicate with the press and business partners at a high level, you will need courses in business communication and speech in Moscow. On them you will also get rid of barriers in communication, learn the art of eloquence.

Artistry is a special art. It comes down to two siddhis joined together. The first is to penetrate into the role that you need to play, and it does not matter whether you play on stage or in life. To play the role of Anna Karenina well, it is necessary to live from the inside those feelings and passions that she experienced in the novel. How to do this, you can read from Stanislavsky, from Chekhov and other experts in artistry. But the subtlety is that if at the moment when you play a role on stage or in life, you yourself will pass through your chakras that emotional energy that corresponds to the role, and a lot of energy, because the role is often very emotional, then your body will simply will wear out. This is how some, even famous artists, work, but it is very exhausting for a person, and it is not at all suitable for yoga. Hence the second siddha: to close the chakras, not to believe in the depths of yourself in what you are currently living, but in your energy field, in the aura put forward, to depict the whole energy performance as naturally as possible. If you adjust your voice, movements and facial expressions, but do not give a flow of energy, then this is not yet perfect artistry. Good artistry is when the desired energies shimmer and flash in your aura, and the chakra, internal energy is not spent on this. Where will you get this external energy from: pull it from the astral plane, accumulate it from the audience, or something else, you already have to invent it yourself. Another note for the artists: if you work openly on stage from an energetic point of view, then all the energy of the audience will go right inside you. But you can't call it pure. Someone envies, someone scoffs, someone condemns you - and you swallow all this together with admiration, tears, joy, etc.

In fact, artistry in life is the ability to hide one's essence, one's internal reactions, one's thoughts, one's shortcomings and even advantages. Many may object that this is inconsistent with the yogic principles of truthfulness, honesty and directness. Theoretically, this is true, however, as already mentioned, we live in a world that is still saturated with the laws of Kali Yuga, and if you are frank in everything, then you may not be understood, ridiculed, considered a fool and even stoned to death. Artistry is a necessary defensive weapon in an era when we are daily subjected to energetic and psychic attacks, even from people who are not strangers to us. The main thing in this game is to have a clear conscience and be honest with yourself. And outside, you need to be able to wear masks, and not one, but several. Here are specific techniques that will help you develop artistry, if, of course, you put enough effort into it.

1) Learn a song, or rather a dozen songs that deeply touch you inside, that you like, the laws of which you live. Live them when you are alone or with those people to whom you can be open, and then learn to sing them to anyone and anywhere, and in such a way that while singing in your chest everything is calm and clear as glass, so that the song you did not break through the emotions inside.

2) Find people for whom you still have contempt, or disgust, or some other rejection. Of course, these qualities need to be removed, they are not suitable for spiritual development, but as long as you have not yet reached them with your awareness, have not cleaned them out of the subconscious, then you can use them - you can learn something else using your shortcomings. So, train to communicate with people so that outwardly you are impeccable, so that no one can even guess that you have uncontrollable reactions of rejection.

Do not be afraid to deliberately put yourself in difficult situations - because this will speed up your development a lot.

3) Suppose there is a person whom you are afraid of, or at least feel insecure when he is around, who crushes you with his form of behavior, social status or something else. Specially communicate with him more, training a form of easy, independent behavior. It is your behavior that should be easy and free, and not arrogant and defiant. You will simultaneously train the will, fearlessness and artistry, as well as self-esteem. These are very valuable people for your promotion - those people that you are afraid of. These are not monsters from an action movie at all, this is most likely your boss at work, the director of the company, your own mom and dad and everyone else who is noticeably stronger than you in some way.

4) If you have an affair or you love someone, then there will certainly be situations where you have to hide your feelings for your partner, the nature of your relationship, etc. from others. This is also a great situation for mastering the art of wearing masks. No unexpectedly asked question about your relationship should take you by surprise. Either you will not answer anything at all and it will be impossible to determine anything about your feelings from you, or you will play a role and expose somewhat different feelings that you have inside. Here you need to be able to manage your feelings - either to show them, or completely turn them off.

5) To hide thoughts, you just need not to think in the presence of those from whom you want to hide them. You need to train to keep your head empty or vice versa, filled, but with something completely different, different from what they want to extract from you. You need to be able to take your true thoughts about someone, about something deep into the background and still turn them into small dots there. And ahead of us, like a film, there will be whole parades of various interesting, smart, deep, colorful thought forms, which, well, have nothing to do with your true essence.

So, artistry is the art of not being yourself when required by the situation.

Artistry helps a person in various areas of life. It can be work, study or simple communication with friends. Artistry is the ability to behave in a way that others like and is required in certain life circumstances. However, this concept has many interpretations. Also, this quality a person can improve or develop.

What is artistry

A person with this quality is able to transform, to play various roles in real life. Artistry is the creative beginning of the individual. Almost all people have this ability, but only in varying degrees of its manifestation. It is inherent not only to singers, actors and speakers. Artistic people are quite common. They skillfully captivate others with their interesting stories, complementing them with expressive gestures and vivid emotions. Artistry is also developed among journalists, teachers, businessmen. After all, such people need the ability to convince, to keep the attention of the public.

Interpretations of this quality:

• Artistry is a kind of talent that allows a person to reincarnate if circumstances so require.
• Artistry is the ability to become a different person in front of society and with loved ones, but at the same time be natural.
• The quality due to which the individual changes not only externally, but also at the psychological level, without betraying himself.
• Artistic personalities correspond to the chosen roles.

A person can either be born with such a skill or acquire it over the years. This requires work, study and practice.

Artistry in real life

Such talents in art are commonplace. An artistic person in everyday life sometimes causes controversial feelings. Indeed, sometimes it seems to others that such people neglect the rules of morality, truth and honesty. However, in reality, artistry is a kind of defense mechanism.

After all, almost every day a person is subjected to both psychological and energy attacks from friends, relatives or just people on the street. And in situations like this, artistry is a must. He helps to put on different masks so as not to spoil relations with others. But artistry has other advantages:

1. This quality helps to maintain a dialogue and maintain the right relationship even with an unpleasant person. So, people who possess it tend to show a sense of tact.
2. For professions related to creativity, it is impossible to do without artistry.
3. Diplomacy and artistry can help in situations where the truth can be impartial.
4. This quality allows you to protect yourself from aggression and emerge victorious.

Such is the artistry in everyday life. It is one of the most important traits in a person. This ability helps to express emotions in a better way, which allows others to better understand the interlocutor.

Where is the artistry

Thanks to a masterful psychological approach, a person can control the situation. Artistry is a helper for people. It manifests itself in the following sectors:

• Journalism. This job involves interacting with people. An artistic person inspires confidence and liberates. Thanks to this, people sincerely share information, and the journalist presents it to the people. This is necessary during interviews with both politicians and ordinary people.
• acting professions. Most films feature personalities that are remembered by directors for their ability to act. Almost no one pays attention to appearance. Also in theaters people are needed who are able to convey this or that mood.
• Pedagogy. The degree of his achievements in the upbringing of children and students depends on the level of development of artistry in the teacher. The teacher must be respected, therefore, in his arsenal, he must have a mask of severity and put it on in a timely manner. Only artistry can help with this. You need to be able to portray emotions of approval, anger or indignation. It is necessary for teachers to control the situation. After all, children will not learn the material if their teacher is boring and does not inspire confidence.
• Among businessmen. This quality is one of the most important in maintaining your image. It is vital for a businessman to develop artistry. After all, the respect of staff and business partners depends on it. A businessman must skillfully convince, thereby increasing the number of successful transactions.

These are the most popular areas where the innate or acquired inclinations of artistic people manifest themselves. They lead the people and convince others. Also, creative personalities delight and instruct on the right path.

The teaching profession contains creativity. Artistry in the work of a teacher is an integral part of his activity. It incorporates spiritual and physical qualities that allow you to establish a constructive dialogue with each individual child. Because of this, many teachers enjoy the trust of students. Already in the course of their work, they acquire what is applicable to pedagogy.

The types of artistry are very multifaceted. Here are the main methods used by teachers:

• Inner artistry. It combines culture, emotions, charm and imagination while solving various situations. These can be bright lessons that captivate students. Due to the internal artistry of the teacher, the children tune in to study.
• External. This is a creative presentation of the material. External artistry includes learning as a game. Thanks to this, students perceive the material with pleasure.

The teacher must be able to transform and restrain his emotions. He needs to remain calm in those moments when the students are worried. Also, the roles applicable to them should not be visible.

How to develop this quality

When an individual improves his artistic ability, he becomes an actor. Thanks to this, people can play the roles that appear in everyday and professional life. The development of artistry involves thinking through images that do not correspond to inner experiences. After all, a person often encounters situations when you really need to hide your emotions. How to develop artistry:

1. You need to learn to control your thoughts. A person should think only about what will help him conduct a constructive dialogue. To do this, you need to remove thoughts that will harm communication.
2. Try to hide your true emotions. A person is not able to control only the direction of his pupils. Tears, irritation, smile, laughter, tremors - all this can obey his will. But practice is important here.
3. Learn to be kind to others. This is difficult to do when emotions are overwhelmed. However, in order to establish a trusting relationship, others must believe that no one condemns them. This can only be learned through long practice.
4. Hide your insecurities. To do this, you need to communicate a lot with people who cause this feeling. Thus, a person trains not only artistry, but also self-confidence. It is also useful for professional activities.

If you follow these rules, then anyone will develop artistry in themselves. And this skill is useful in everyday life, communicating with relatives and friends, as well as at work. If you try hard, then progress will be visible after two weeks of practice.

Conclusion

Artistic personalities are interesting for interlocutors. Often they are able to lead others. This quality needs to be improved by almost every person. However, do not forget that it is necessary to be interesting, and not to seem so.

The essence of the concept of "artistry"

The phenomenon of artistry attracts the attention of various scientists dealing with the problems of philosophy, aesthetics, psychology, pedagogy, and the pedagogy of music education as well.

Artistry in aesthetics and art history is considered as a special expressive quality that manifests itself in different types and genres of art. The subject of the analysis is the versatility of the concept of "artistry", its various aesthetic profiles: from the dominance of virtuosity, playfulness, improvisation, to the assertion of the value of momentary experience, the ability to paradoxically remove the antinomic tension of the elements of an artistic form, to reveal the facets of the inner, hidden artistry of a work (O.A. Krivtsun, O. Semenov, A.K. Yakimovich).

Philosophers comprehend the variations of the artistic principle as the most important ontological component of art, generating “meaning over meaning”, introducing a new dimension to artistic content. B.M. Bershtein notes that the features of the manifestation of artistry are studied both in classical art and in the methods of non-classical expressiveness, in special forms of life-creation, in different artistic movements and styles, on the material of painting, literature, architecture, advertising, costume history, music.

The theoretical and practical development of the problem of the development of artistry has become the subject of a thorough study by K.S. Stanislavsky. "An artist who has gone deep into creative tasks has no time to deal with himself as a person and his excitement." The first step in mastering the art of an actor is, according to K.S. Stanislavsky, in the ability to bring oneself on stage into “correct, almost completely natural human well-being”, contrary to all the conventions of stage performance. This is the “correct, natural” well-being of the actor K.S. Stanislavsky calls creative well-being and one of the most important components of artistry. K.S. Stanislavsky distinguishes between internal, external and general stage well-being.

The problem of the formation of artistry occupies a very significant place in the system of K.S. Stanislavsky. He insistently emphasizes the natural, organic nature of creative (stage) well-being. “Surprisingly, what we know so well, what happens naturally in real life, by itself, then disappears without a trace or becomes mutilated, as soon as the artist enters the stage. A lot of work is needed ... in order to return to the stage what is so normal for every person in life.

The most significant point that counteracts the manifestation of artistry is the publicity of creativity. The artist's well-being is characterized, first of all, by a loss of self-control, a feeling of "dependence on the crowd." “When a person-artist enters the stage in front of a thousand-strong crowd, he loses his self-control from fear, embarrassment, shyness, responsibility, and difficulties. At these moments, he cannot speak, look, listen, think, want, feel, walk, act in a human way.

Thus, artistry is a rather complex concept that combines a number of different levels (both physiological and psychological) characteristics. In physiological terms, artistry is a level of activation that does not exceed certain limits in a situation of increased emotional stress. In psychological terms, this is a certain characterological level of anxiety, which is commonly understood as a negatively colored experience of internal anxiety, concern, "fever", agitation, turning into agitation of an unproductive, demobilizing nature.

The results of the undertaken analysis make it possible to single out three groups of different-level characteristics associated with the ability to manifest artistry in specific creative conditions:

• 1. Characteristics that provide the ability to quickly and dynamically extinguish "emotional interference" that "knock out" the actor from the optimal creative state.
• 2. Characteristics that provide the actor with the possibility of active (arbitrary) concentration on the stage action, which forms the "stage dominant" - a stable focus of excitation that suppresses the influence of distracting, disorganizing factors in the creative process.
• 3. Characteristics that provide the possibility of realizing the orientation “outward”, to the perspective of the role, the main goal of the character (super task), thereby “distracting” the actor from his own experiences of a negative nature not related to the “life of the role”, no less than imagine the publicity of the creative process, capable of disorganizing stage behavior.

For a musician, artistry becomes a key condition for the development of interpretive abilities, the ability to quickly change character states and feelings, adjust to one or another emotional mode, assign character, think the hero of the work and act in line with his logic. This raises the question of the musician's mastery of special psychotechnics, which encourages the singer to express himself as an actor. In order to bring a character on stage, the performer needs the power of imagination, mind and will to create him in his soul, and then to some extent subordinate his psychophysical being to him. F.I. Chaliapin expressed the essence of reincarnation in a formula implying the objectification of the character's consciousness through the performer's psychophysical apparatus: “The truth of the actor, but regardless of him. Through the creative actor independently of the human actor.

Silantyeva I.I., investigating the problem of the transformation of a musician in the vocal and stage art, notes that in the process of transformation, the "artistic type" is gradually realized in the performer. Among the significant psychological obstacles to the manifestation of the properties of the artistic type of personality are ignorance of the possibilities of one's own emotional nature, as well as fear of strong feelings, a tendency to a sparing mental regimen, unwillingness to emotional costs. The aggression of the “video” culture, the lack of demand for the world literary heritage and the weakening of the function of the imagination associated with these factors reduce the potential for empathy with the world and reflection as a guarantee of self-expression in art. This, according to Silantyeva I.I., is one of the most important aspects of the psychological and pedagogical problem of the development of artistry.

Speaking about the problem of the development of artistry N.V. Suslova notes that the polypersonalism of consciousness inherent in the performer-objectivist implies the plurality of I in one person. The versatility of personality as a result of the multivariance of consciousness is manifested in the diversity of character lives.

Despite the different views of scientists on the problem we are considering, the moment that unites all theories is the recognition of the fact that the ability to reincarnate largely determines the memory factor. During the period of work on the role from conception to stage incarnation, the memory is continuously and capaciously filled with various impressions, from the elements of which the personality of the character is built. As a result of the continuous process of appropriation of character contents, the total self of the evolving personality of the performer is formed.

An important feature of artistic memory is the ability to “remember, forgetting”: it determines the performer’s ability to prevent his own memory of the future of his hero from entering the process of character existence, so that the character, in an omniscient performer, can live and experience every moment of his virtual existence existentially - “here and now", in accordance with the truth of stage life.

The memory, in which the impressions and experiences of a person continue to live, provides the performer in the conditions of character existence with affective feelings that are “filtered” by time, cleared of everyday taste and have lost their painful sharpness, due to their secondary nature and awareness of the creative task of stage experience. The contents of memory, clothed in images, reorganize and synthesize the imagination.

Imagination in the context of the problem of reincarnation is considered by scientists working in the field of musical psychology primarily as a tool for creating virtual reality: it directs, concentrates and holds psychic energy in the sphere of character consciousness. Detailed, intense and long-term imagination gives content and very life to the character, because his stage existence is the performer's continuous imagination of the mental and spiritual state of the character at every current moment. The gift of nature to the performer is the ability of procedural inner vision, which is not inferior in brightness to the perception of the real world, as well as sensual imagination, the ghostly touch of which causes a physiological reaction in the singer, up to the effect on the texture of the voice.

Yarzhemsky G.L. speaking about the psychological mechanisms of the development of artistry, he notes that many of the factors that determine reincarnation are based on psychological defense mechanisms hidden in the unconscious: actualization of one of the latent personalities, projection, congeniality or complementary contrast; the need to forget in the contemplation or experience of someone else's mental life; confession under the mask of a hero; altruistic love for the spiritual qualities of the other Self; the need to truly portray the beautiful soul as an ideal. Among the deeply hidden impulses that bring creative energy into an active state, sublimation is also mentioned.

Summarizing the above, it should be noted that artistry as a quality is a systemic education, including such components as understanding the content, musical memory, imagination, empathy.